The movement to digital cinematography has created a demand for innovation in soft lighting products. Cameramen and studios alike have longed for more compact, flexible solutions that could also meet professional quality standards in temperature, color and precision control. We’re happy to tell you the wait is over…FILL-LITE™, innovation in light.
What Others are Saying
“I used them in a very tough, small set and they performed beautifully. l really like the quality of light. The form factor is extraordinary which means that I could hide them from the camera and still cover a broad area with light.”
– Steven Poster, ASC
“Back in my early days as a cinematographer we used huge heavy soft light fixtures, some as big a a VW, to give us enough stop. Then along comes innovation like Fill-Lite, 1″ thin, designed for the new technology in HD cameras. Two light stand units, and an incredible modular system, controlled by another innovative product, the iPad. Most definitely the best I’ve seen in a long time.”
– Roy Wagner, ASC
The Fill-Lite 200 and Fill-Lite Studio quickly became the primary light source on the Togetherness pilot shoot “because of their ease of use and natural quality of light.”
– Jas Shelton
Rob Draper, ACS, won Best Cinematography Award at Beverly Hills Film Festival for his work as Director of Photography using Fill-Lite soft light on “Irrefutable Proof”. Directed by Ziad Hamzeh, screenplay by Richard Castellane.
Visit NAB Booth C12339 to see how BlockBattery powers Fill-Lite. The video shows Greg Prentiss demonstrating this system BlockBattery.