The movement to digital cinematography has created a demand for innovation in soft lighting products. Cameramen and studios alike have longed for more compact, flexible solutions that could also meet professional quality standards in temperature, color and precision control. We’re happy to tell you the wait is over…FILL-LITE™, innovation in light.
What Others are Saying
“I used them in a very tough, small set and they performed beautifully. l really like the quality of light. The form factor is extraordinary which means that I could hide them from the camera and still cover a broad area with light.”
- Steven Poster, ASC
“Back in my early days as a cinematographer we used huge heavy soft light fixtures, some as big a a VW, to give us enough stop. Then along comes innovation like Fill-Lite, 1″ thin, designed for the new technology in HD cameras. Two light stand units, and an incredible modular system, controlled by another innovative product, the iPad. Most definitely the best I’ve seen in a long time.”
– Roy Wagner, ASC
The Fill-Lite 200 and Fill-Lite Studio quickly became the primary light source on the Togetherness pilot shoot “because of their ease of use and natural quality of light.”
– Jas Shelton
Rob Draper sent us a message that he agreed to share with everyone: “I recently used the Fill-Lite’s for the first time on a feature, essentially lighting the entire movie with them. Having demo’d them earlier I knew their potential…
Fill-Lite joins Band Pro for the first time at Cinec in Munich, Stand 3-A01. We are fortunate that Owen Stephens, SOC is invited to present a workshop on lighting techniques building on LED soft light.
Band Pro took Fill-Lite soft lights on the 4K Experts Tour in January 2014 and we got the video!