Blog Archives

Roy Wagner ASC, Uses Fill-Lite On The Neighborhood Pilot

IMG_5835 2 Roy Wagner, ASC, Freddy Cintron, Fill-Lite The Neighborhood pilot
I love the Fill-Lite light. It’s built by an experienced gaffer who understands our daily problems. This is an exceptional light that is easily placed in the most difficult places. Very rugged and efficient. I highly recommend this light to all those who want to invest with a lighting manufacturer who listens to the end user. You can quote me….

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Posted in filmmaking, FL200, Lighting

Gaffer Freddy Cintron Puts Fill-Lite To Work

IMG_5835 2 Roy Wagner, ASC, Freddy Cintron, Fill-Lite The Neighborhood pilot
I love how soft it is. It’s like having a Book-light soft box in seconds. From my experience its very soft with no need to add more diffusion. A light weight unit and easy to squeeze in tight spaces making it easy to hide and dress. The  punch is subtle but with an even spread with a nice fall off.

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Posted in Featured Item, filmmaking, FL200, Lighting

Rob Draper, ACS, uses Fill-Lite soft light, wins Best Cinematography Award

IMG_3240_Rob-wins-award-crw Rob Draper, ACS, won Best Cinematography Award at Beverly Hills Film Festival for his work as Director of Photography using Fill-Lite soft light on “Irrefutable Proof”. Directed by Ziad Hamzeh, screenplay by Richard Castellane.

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NAB 2016 BlockBattery powers Fill-Lite (C12339)

Visit NAB Booth C12339 to see how BlockBattery powers Fill-Lite. The video shows Greg Prentiss demonstrating this system BlockBattery.

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Posted in DSLR, Events, filmmaking, FL200, FLStudio, FLWall, Lighting, NAB, Uncategorized

Now Showing: New Product Videos of LED Soft Light

Fill-Lite Wall video showing LED soft light use and operationNew Fill-Lite LED soft light videos are now showing on our website for the FL200 and FLWall models.

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Posted in Digital, DSLR, filmmaking, FL200, FLWall, how to, Lighting

Rob Draper, ACS, on using Fill-Lite shooting Irrefutable Proof

Rob_Draper_Irrefutable_Proof_Lady _Fill-Lite

Rob Draper, ACS: “The quality of the light is astounding, dubbed by my crew “the lady pleaser“, great wrap and essentially the quality of a light thru 216. The fall off is relatively short, which meant less cutting and shaping in tight locations and being a square emitter they could easily be panned or tilted to control spill and intensity in different parts of the set.”

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Posted in Digital, filmmaking, FL200, FLWall, Lighting, News, Uncategorized