Blog Archives

How to Paint with Soft Light Workshop – CINEC 2016 Munich

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Fill-Lite joins Pro.Media at CINEC 2016 in Munich, Germany, Stand 3-C29, 17-19 September 2016 showcasing the full line of ultra soft lights.

On Sunday, 18 September, Owen Stephens, SOC, will cover his experiences in lighting major film, commercials, and television sets in international locations, delivering optimum soft light in a complex digital era.

Time: 1:00pm, 18 September
Location: Room K2B MOC

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Posted in Events

See our Soft Light Demo at Hollywood Rentals August 12

August 12 Product Demo at Hollywood Rentals, Los Angeles Owen Stephens, SOC will demo the complete Fill-Lite product line on Friday, August 12, 2016 at the Sylmar, California location of Hollywood Rentals from 3-5pm.

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Posted in Camera Support, Digital, Events, FL200, FLStudio, FLWall, Gear, Lighting, News

Rob Draper, ACS, uses Fill-Lite soft light, wins Best Cinematography Award

IMG_3240_Rob-wins-award-crw Rob Draper, ACS, won Best Cinematography Award at Beverly Hills Film Festival for his work as Director of Photography using Fill-Lite soft light on “Irrefutable Proof”. Directed by Ziad Hamzeh, screenplay by Richard Castellane.

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NAB 2016 BlockBattery powers Fill-Lite (C12339)

Visit NAB Booth C12339 to see how BlockBattery powers Fill-Lite. The video shows Greg Prentiss demonstrating this system BlockBattery.

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Posted in DSLR, Events, filmmaking, FL200, FLStudio, FLWall, Lighting, NAB, Uncategorized

Visit Kees Van Oostrum on The Fosters Set

Kees Van Oostrum and Rob Draper on set at ABCF The Family with Fill-Lite Wall LED soft lightOwen Stephens had the opportunity to visit with Kees Van Oostrum on the set of The Fosters, along with Rob Draper, ACS.

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Posted in Lighting

Now Showing: New Product Videos of LED Soft Light

Fill-Lite Wall video showing LED soft light use and operationNew Fill-Lite LED soft light videos are now showing on our website for the FL200 and FLWall models.

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Posted in Digital, DSLR, filmmaking, FL200, FLWall, how to, Lighting

Rob Draper, ACS, on using Fill-Lite shooting Irrefutable Proof

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Rob Draper, ACS: “The quality of the light is astounding, dubbed by my crew “the lady pleaser“, great wrap and essentially the quality of a light thru 216. The fall off is relatively short, which meant less cutting and shaping in tight locations and being a square emitter they could easily be panned or tilted to control spill and intensity in different parts of the set.”

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Posted in Digital, filmmaking, FL200, FLWall, Lighting, News, Uncategorized